La ejecución del piano a cuatro manos: análisis técnicos e interpretativos de algunos casos
Playing piano “four hands” is one of the most interesting forms of musical performance, but also one of the most difficult. It requires that the player not only shows individual skills, but also knows how to listen to the other pianist and coordinate various interpretive aspects, such as phrasing...
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| Language: | Spanish |
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2022
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| Online Access: | https://dialnet.unirioja.es/servlet/oaiart?codigo=8626259 |
| Source: | Revista Iberoamericana de las Ciencias Sociales y Humanísticas: RICSH, ISSN 2395-7972, Vol. 11, Nº. 22, 2022, pags. 1-19 |
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Revista Iberoamericana de las Ciencias Sociales y Humanísticas: RICSH, ISSN 2395-7972, Vol. 11, Nº. 22, 2022, pags. 1-19
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ensamble de piano
repertorio musical técnica pianística piano ensemble musical repertoire piano technique conjunto pianístico repertório musical técnica pianística |
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ensamble de piano
repertorio musical técnica pianística piano ensemble musical repertoire piano technique conjunto pianístico repertório musical técnica pianística Béjar Bartolo, Alejandra Podzharova, Elena La ejecución del piano a cuatro manos: análisis técnicos e interpretativos de algunos casos |
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Playing piano “four hands” is one of the most interesting forms of musical performance, but
also one of the most difficult. It requires that the player not only shows individual skills, but
also knows how to listen to the other pianist and coordinate various interpretive aspects, such
as phrasing, dynamics, velocity, and piano position. This study explores the elements of
communication between the members of the four-handed piano ensemble necessary to
achieve a top performance, as well as the challenges that pianists face. 27 pianists of different
levels were interviewed, including teachers, students and graduates who had experience
playing in four-handed piano ensembles. Some of the common challenges faced by the
musicians included how to sit at the piano, placement of the arms and hands in crossed
passages, balance of sound, synchronization, and musculoskeletal issues. Despite the
technical-interpretive difficulties and the physical discomfort that could arise in the fourhanded ensemble, this type of practice can greatly enrich the piano playing experience and help to improve one’s own interpretation from the ‘soloist’ point of view
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| format |
Article
|
| author |
Béjar Bartolo, Alejandra
Podzharova, Elena |
| author_facet |
Béjar Bartolo, Alejandra
Podzharova, Elena |
| author_sort |
Béjar Bartolo, Alejandra
|
| title |
La ejecución del piano a cuatro manos: análisis técnicos e interpretativos de algunos casos
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| title_short |
La ejecución del piano a cuatro manos: análisis técnicos e interpretativos de algunos casos
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| title_full |
La ejecución del piano a cuatro manos: análisis técnicos e interpretativos de algunos casos
|
| title_fullStr |
La ejecución del piano a cuatro manos: análisis técnicos e interpretativos de algunos casos
|
| title_full_unstemmed |
La ejecución del piano a cuatro manos: análisis técnicos e interpretativos de algunos casos
|
| title_sort |
la ejecución del piano a cuatro manos: análisis técnicos e interpretativos de algunos casos
|
| publishDate |
2022
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| url |
https://dialnet.unirioja.es/servlet/oaiart?codigo=8626259
|
| _version_ |
1748573192507621376
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| spelling |
dialnet-ar-18-ART00015512322022-10-27La ejecución del piano a cuatro manos: análisis técnicos e interpretativos de algunos casosBéjar Bartolo, AlejandraPodzharova, Elenaensamble de pianorepertorio musicaltécnica pianísticapiano ensemblemusical repertoirepiano techniqueconjunto pianísticorepertório musicaltécnica pianísticaPlaying piano “four hands” is one of the most interesting forms of musical performance, but also one of the most difficult. It requires that the player not only shows individual skills, but also knows how to listen to the other pianist and coordinate various interpretive aspects, such as phrasing, dynamics, velocity, and piano position. This study explores the elements of communication between the members of the four-handed piano ensemble necessary to achieve a top performance, as well as the challenges that pianists face. 27 pianists of different levels were interviewed, including teachers, students and graduates who had experience playing in four-handed piano ensembles. Some of the common challenges faced by the musicians included how to sit at the piano, placement of the arms and hands in crossed passages, balance of sound, synchronization, and musculoskeletal issues. Despite the technical-interpretive difficulties and the physical discomfort that could arise in the fourhanded ensemble, this type of practice can greatly enrich the piano playing experience and help to improve one’s own interpretation from the ‘soloist’ point of viewTocar o piano a quatro mãos é uma das formas mais interessantes de interpretação musical, mas também uma das mais difíceis, pois exige do intérprete não só habilidades individuais, mas também saber ouvir o outro pianista e coordenar várias aspectos interpretativos. : fraseado, dinâmica, velocidade, posição do piano, etc. Este estudo explora os elementos de comunicação entre os membros do ensemble de piano a quatro mãos necessários para alcançar uma execução correta, bem como as dificuldades que os pianistas enfrentam. Foram entrevistados 27 pianistas de diferentes níveis —professores, alunos e graduados— que tiveram a experiência de tocar em conjuntos de piano a quatro mãos. Entre as dificuldades que os músicos enfrentaram estavam a forma de sentar ao piano, a colocação dos braços e mãos em passagens cruzadas, o equilíbrio do som, o timing e alguns problemas musculoesqueléticos. Apesar das dificuldades técnico-interpretativas e do desconforto físico que podem surgir no conjunto, este tipo de prática pode enriquecer muito a experiência pianística e ajudar a melhorar a interpretação do ponto de vista do solista.El tocar piano a cuatro manos es una de las formas más interesantes de interpretación musical, pero, también, de las más difíciles porque se requiere que el intérprete no solo muestre habilidades individuales, sino que también sepa escuchar al otro pianista y coordinar varios aspectos interpretativos: fraseo, dinámica, velocidad, posición en el piano, etc. Este estudio explora los elementos de comunicación entre los integrantes del ensamble de piano a cuatro manos necesarios para lograr una ejecución correcta, así como las dificultades con las cuales se enfrentan los pianistas. Se entrevistó a 27 pianistas de diferentes niveles —maestros, estudiantes y egresados— que contaban con la experiencia de tocar en ensambles de piano a cuatro manos. Entre las dificultades con las que se enfrentaban los músicos, se encontró la manera de sentarse ante el piano, la ubicación de los brazos y manos en pasajes cruzados, el equilibrio del sonido, la sincronización y algunos problemas musculoesqueléticos. A pesar de las dificultades técnico-interpretativas y de la incomodidad física que pudieran presentarse en el ensamble, este tipo de práctica puede enriquecer ampliamente la experiencia pianística y ayudar a mejorar la propia interpretación desde el punto de vista del solista.2022text (article)application/pdfhttps://dialnet.unirioja.es/servlet/oaiart?codigo=8626259(Revista) ISSN 2395-7972Revista Iberoamericana de las Ciencias Sociales y Humanísticas: RICSH, ISSN 2395-7972, Vol. 11, Nº. 22, 2022, pags. 1-19spaLICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. 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