La ejecución del piano a cuatro manos: análisis técnicos e interpretativos de algunos casos
Playing piano “four hands” is one of the most interesting forms of musical performance, but also one of the most difficult. It requires that the player not only shows individual skills, but also knows how to listen to the other pianist and coordinate various interpretive aspects, such as phrasing...
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| Egile Nagusiak: | , |
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| Formatua: | Artikulua |
| Hizkuntza: | Gaztelania |
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2022
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| Sarrera elektronikoa: | https://dialnet.unirioja.es/servlet/oaiart?codigo=8626259 |
| Baliabidea: | Revista Iberoamericana de las Ciencias Sociales y Humanísticas: RICSH, ISSN 2395-7972, Vol. 11, Nº. 22, 2022, pags. 1-19 |
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| Laburpena: |
Playing piano “four hands” is one of the most interesting forms of musical performance, but
also one of the most difficult. It requires that the player not only shows individual skills, but
also knows how to listen to the other pianist and coordinate various interpretive aspects, such
as phrasing, dynamics, velocity, and piano position. This study explores the elements of
communication between the members of the four-handed piano ensemble necessary to
achieve a top performance, as well as the challenges that pianists face. 27 pianists of different
levels were interviewed, including teachers, students and graduates who had experience
playing in four-handed piano ensembles. Some of the common challenges faced by the
musicians included how to sit at the piano, placement of the arms and hands in crossed
passages, balance of sound, synchronization, and musculoskeletal issues. Despite the
technical-interpretive difficulties and the physical discomfort that could arise in the fourhanded ensemble, this type of practice can greatly enrich the piano playing experience and help to improve one’s own interpretation from the ‘soloist’ point of view |
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