A "Jurisprudenz" de Gustav Klimt: direito, esfera pública e violência soberana
This research aims at discussing a possible reading of Gustav Klimt’s picture Jurisprudenz, from a juridical perspective, in order to explain its potential of meaning regarding the relation between law, sovereign violence and public sphere in peripheral countries like Brazil. In order to do so, this...
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2019
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| Online Access: | https://dialnet.unirioja.es/servlet/oaiart?codigo=7490783 |
| Source: | Anamorphosis: Revista Internacional de Direito e Literatura, ISSN 2446-8088, null 5, Nº. 1, 2019 (Ejemplar dedicado a: janeiro-junho), pags. 37-68 |
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Anamorphosis: Revista Internacional de Direito e Literatura, ISSN 2446-8088, null 5, Nº. 1, 2019 (Ejemplar dedicado a: janeiro-junho), pags. 37-68
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Direito e Arte
Gustav Klimt “Jurisprudenz” direito poder soberano esfera pública Law and Art Gustav Klimt “Jurisprudenz” law sovereign power public sphere |
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Direito e Arte
Gustav Klimt “Jurisprudenz” direito poder soberano esfera pública Law and Art Gustav Klimt “Jurisprudenz” law sovereign power public sphere Simioni, Rafael Lazzarotto A "Jurisprudenz" de Gustav Klimt: direito, esfera pública e violência soberana |
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This research aims at discussing a possible reading of Gustav Klimt’s picture Jurisprudenz, from a juridical perspective, in order to explain its potential of meaning regarding the relation between law, sovereign violence and public sphere in peripheral countries like Brazil. In order to do so, this paper is based on three analytical aspects, which are deeply interconnected: The Renaissance revival of pagan Antiquity, Freud’s psychoanalysis, and the ambivalent relationship between Law and sovereign violence. Klimt articulates these three dimensions through a) elements of Greek mythology; b) in a Freudian dream-like atmosphere; c) placing the observer in the political role of one of its main characters. Methodologically, this research identifies the references of Klimt at his lifetime and proposes a dialog with the previous interpretations and reflections made by Schorske, Minkkinen, Rodriguez and Manderson, among other authors that dedicated themselves to study the Jurisprudenz of Klimt. Jurisprudenz presents a visual narrative that allows one to understand the rupture of the cogito self by the desire self (Freud), the exception/sovereign violence of Law (Schmitt, Benjamin, Agamben), and the creative construction of the Law by democratic participation in new forms of public sphere (Habermas).
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Article
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Simioni, Rafael Lazzarotto
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| author_facet |
Simioni, Rafael Lazzarotto
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Simioni, Rafael Lazzarotto
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| title |
A "Jurisprudenz" de Gustav Klimt: direito, esfera pública e violência soberana
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| title_short |
A "Jurisprudenz" de Gustav Klimt: direito, esfera pública e violência soberana
|
| title_full |
A "Jurisprudenz" de Gustav Klimt: direito, esfera pública e violência soberana
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| title_fullStr |
A "Jurisprudenz" de Gustav Klimt: direito, esfera pública e violência soberana
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| title_full_unstemmed |
A "Jurisprudenz" de Gustav Klimt: direito, esfera pública e violência soberana
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| title_sort |
"jurisprudenz" de gustav klimt: direito, esfera pública e violência soberana
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| publishDate |
2019
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https://dialnet.unirioja.es/servlet/oaiart?codigo=7490783
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1709752699631697920
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dialnet-ar-18-ART00013975632020-07-10A "Jurisprudenz" de Gustav Klimt: direito, esfera pública e violência soberanaSimioni, Rafael LazzarottoDireito e ArteGustav Klimt“Jurisprudenz”direitopoder soberanoesfera públicaLaw and ArtGustav Klimt“Jurisprudenz”lawsovereign powerpublic sphereThis research aims at discussing a possible reading of Gustav Klimt’s picture Jurisprudenz, from a juridical perspective, in order to explain its potential of meaning regarding the relation between law, sovereign violence and public sphere in peripheral countries like Brazil. In order to do so, this paper is based on three analytical aspects, which are deeply interconnected: The Renaissance revival of pagan Antiquity, Freud’s psychoanalysis, and the ambivalent relationship between Law and sovereign violence. Klimt articulates these three dimensions through a) elements of Greek mythology; b) in a Freudian dream-like atmosphere; c) placing the observer in the political role of one of its main characters. Methodologically, this research identifies the references of Klimt at his lifetime and proposes a dialog with the previous interpretations and reflections made by Schorske, Minkkinen, Rodriguez and Manderson, among other authors that dedicated themselves to study the Jurisprudenz of Klimt. Jurisprudenz presents a visual narrative that allows one to understand the rupture of the cogito self by the desire self (Freud), the exception/sovereign violence of Law (Schmitt, Benjamin, Agamben), and the creative construction of the Law by democratic participation in new forms of public sphere (Habermas).Esta pesquisa realiza uma leitura jurídica da pintura Jurisprudenz, de Gustav Klimt, de modo a estabelecer uma relação entre direito, violência soberana e esfera pública. Para tanto, utilizam-se três chaves de leitura, as quais revelam três dimensões de sentido da obra de Klimt, profundamente conectadas entre si: o resgate renascentista da Antiguidade pagã, a psicanálise de Freud e a relação ambivalente entre direito e violência soberana. Klimt articula essas três dimensões através de a) elementos da mitologia grega; b) em um ambiente de sonho freudiano; c) colocando o observador no papel político de um dos seus personagens principais. Como metodologia, a pesquisa identifica os referenciais de Klimt na época e dialoga com as análises, interpretações e reflexões de Schorske, Minkkinen, Rodriguez e Manderson, dentre outros autores que se dedicaram a estudar a Jurisprudenz de Klimt. Como resultado, observa-se que Jurisprudenz apresenta uma narrativa visual riquíssima para o direito e para a filosofia política, que nos permite entender a ruptura do ser cogito pelo ser desejo (Freud), a exceção/violência soberana do direito (Schmitt, Benjamin, Agamben) e a construção criativa do direito pela participação democrática em novas formas de esfera pública (Habermas).2019text (article)application/pdfhttps://dialnet.unirioja.es/servlet/oaiart?codigo=7490783(Revista) ISSN 2446-8088Anamorphosis: Revista Internacional de Direito e Literatura, ISSN 2446-8088, null 5, Nº. 1, 2019 (Ejemplar dedicado a: janeiro-junho), pags. 37-68porLICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI
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