A "Jurisprudenz" de Gustav Klimt: direito, esfera pública e violência soberana

This research aims at discussing a possible reading of Gustav Klimt’s picture Jurisprudenz, from a juridical perspective, in order to explain its potential of meaning regarding the relation between law, sovereign violence and public sphere in peripheral countries like Brazil. In order to do so, this...

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Bibliographic Details
Main Author: Simioni, Rafael Lazzarotto
Format: Article
Language:Portuguese
Published: 2019
Subjects:
Direito e Arte
Gustav Klimt
“Jurisprudenz”
direito
poder soberano
esfera pública
Law and Art
law
sovereign power
public sphere
Online Access:https://dialnet.unirioja.es/servlet/oaiart?codigo=7490783
Source:Anamorphosis: Revista Internacional de Direito e Literatura, ISSN 2446-8088, null 5, Nº. 1, 2019 (Ejemplar dedicado a: janeiro-junho), pags. 37-68
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A "Jurisprudenz" de Gustav Klimt: direito, esfera pública e violência soberana
Summary: This research aims at discussing a possible reading of Gustav Klimt’s picture Jurisprudenz, from a juridical perspective, in order to explain its potential of meaning regarding the relation between law, sovereign violence and public sphere in peripheral countries like Brazil. In order to do so, this paper is based on three analytical aspects, which are deeply interconnected: The Renaissance revival of pagan Antiquity, Freud’s psychoanalysis, and the ambivalent relationship between Law and sovereign violence. Klimt articulates these three dimensions through a) elements of Greek mythology; b) in a Freudian dream-like atmosphere; c) placing the observer in the political role of one of its main characters. Methodologically, this research identifies the references of Klimt at his lifetime and proposes a dialog with the previous interpretations and reflections made by Schorske, Minkkinen, Rodriguez and Manderson, among other authors that dedicated themselves to study the Jurisprudenz of Klimt. Jurisprudenz presents a visual narrative that allows one to understand the rupture of the cogito self by the desire self (Freud), the exception/sovereign violence of Law (Schmitt, Benjamin, Agamben), and the creative construction of the Law by democratic participation in new forms of public sphere (Habermas).

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