Los derechos sociales en el cine: Una puesta al día a la luz de la película ‘El buen patrón’ y la mirada de Fernando León de Aranoa
The objective of this article is to develop an introductory analysis of the filmography of Fernando León de Aranoa from the point of view of social and labor rights after the movie premiere of ‘The Good Boss’, winner of six Goya awards, including best film. Initially, the short ‘Sirens’ is reviewed,...
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| Format: | Article |
| Language: | Spanish |
| Published: |
2022
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| Online Access: | https://dialnet.unirioja.es/servlet/oaiart?codigo=8386771 |
| Source: | Revista de Estudios Jurídico Laborales y de Seguridad Social (REJLSS), ISSN 2660-437X, Nº. 4, 2022, pags. 365-373 |
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| Summary: |
The objective of this article is to develop an introductory analysis of the filmography of Fernando León de Aranoa from the point of view of social and labor rights after the movie premiere of ‘The Good Boss’, winner of six Goya awards, including best film. Initially, the short ‘Sirens’ is reviewed, in which he points some of his plot lines that will be developed from his first feature film ‘Family’, by producer Elías Querejeta, who will accompany him throughout his first stage until the emblematic ‘Mondays in the sun’. Next, this work analyzes his incisive look at today’s society through the losers, his turn towards international works based on book adaptations and the return to his own scripts with his latest film. |
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