La identidad campesina y la estética del arraigo como resistencia.
The peasant communities of the rural area of Buga in the villages of El Placer, La Venta and San Agustín have in common that most of their first inhabitants come from Boyacá and Santander. To live there they have had to go through an economic, social and political process, in which they have manag...
Saved in:
| Main Authors: | , |
|---|---|
| Format: | Article |
| Language: | Spanish |
| Published: |
2017
|
| Subjects: | |
| Online Access: | https://dialnet.unirioja.es/servlet/oaiart?codigo=7830125 |
| Source: | Revista Criterio Libre Jurídico, ISSN 1794-7200, Vol. 14, Nº. 2, 2017 (Ejemplar dedicado a: Criterio Libre Jurídico Julio - Diciembre), pags. 107-113 |
| Tags: |
Add Tag
No Tags: Be the first to tag this record
|
| id |
dialnet-ar-18-ART0001470471
|
|---|---|
| record_format |
dialnet
|
| institution |
Dialnet
|
| collection |
Dialnet AR
|
| source |
Revista Criterio Libre Jurídico, ISSN 1794-7200, Vol. 14, Nº. 2, 2017 (Ejemplar dedicado a: Criterio Libre Jurídico Julio - Diciembre), pags. 107-113
|
| language |
Spanish
|
| topic |
Estética del arraigo
Identidad campesina Arraigo Resistencia Esthetics of the rooting Peasnt identities Rooting Resistence Estética do enraizamento identidade camponesa enraizamento resistência |
| spellingShingle |
Estética del arraigo
Identidad campesina Arraigo Resistencia Esthetics of the rooting Peasnt identities Rooting Resistence Estética do enraizamento identidade camponesa enraizamento resistência Salazar Manrique, Byron Posada Molina, Visnú La identidad campesina y la estética del arraigo como resistencia. |
| description |
The peasant communities of the rural area of Buga in the villages of El Placer, La Venta and San Agustín have in common that most of their first inhabitants come from Boyacá and Santander. To live there they have had to go through an economic, social and political process, in which they have managed to build the traditional peasant farm in the modern world, with all the challenges that this implies. They have had to resist the paramilitary incursion of the Calima Bloc and the neoliberal policies of the Colombian State. This work aims to explore how this resistance has been forged from the point of view of the aesthetics of the rooting, concept that is built from the peasant identity, the relationship with the environment and with others, and the aesthetic configurations of the resistance in a world where being a peasant is increasingly difficult. To systematize the information gathered about the community, the practical theoretical orientations of Jara Holliday were used. It was found that there is an aesthetics of the rooting that has had a great development and significant achievements in the defense of the territory and the rights of the peasants, and that maintaining this resistance is increasingly difficult due to the challenges involved for young peasants to remain in the territories, because the modern world is always tempting them to leave the territory, to adopt other aesthetics and to have other perspectives and other dreams where the field does not figure as a project of life.
|
| format |
Article
|
| author |
Salazar Manrique, Byron
Posada Molina, Visnú |
| author_facet |
Salazar Manrique, Byron
Posada Molina, Visnú |
| author_sort |
Salazar Manrique, Byron
|
| title |
La identidad campesina y la estética del arraigo como resistencia.
|
| title_short |
La identidad campesina y la estética del arraigo como resistencia.
|
| title_full |
La identidad campesina y la estética del arraigo como resistencia.
|
| title_fullStr |
La identidad campesina y la estética del arraigo como resistencia.
|
| title_full_unstemmed |
La identidad campesina y la estética del arraigo como resistencia.
|
| title_sort |
la identidad campesina y la estética del arraigo como resistencia.
|
| publishDate |
2017
|
| url |
https://dialnet.unirioja.es/servlet/oaiart?codigo=7830125
|
| _version_ |
1709755171208167424
|
| spelling |
dialnet-ar-18-ART00014704712021-08-11La identidad campesina y la estética del arraigo como resistencia.Salazar Manrique, ByronPosada Molina, VisnúEstética del arraigoIdentidad campesinaArraigoResistenciaEsthetics of the rootingPeasnt identitiesRootingResistenceEstética do enraizamentoidentidade camponesaenraizamentoresistênciaThe peasant communities of the rural area of Buga in the villages of El Placer, La Venta and San Agustín have in common that most of their first inhabitants come from Boyacá and Santander. To live there they have had to go through an economic, social and political process, in which they have managed to build the traditional peasant farm in the modern world, with all the challenges that this implies. They have had to resist the paramilitary incursion of the Calima Bloc and the neoliberal policies of the Colombian State. This work aims to explore how this resistance has been forged from the point of view of the aesthetics of the rooting, concept that is built from the peasant identity, the relationship with the environment and with others, and the aesthetic configurations of the resistance in a world where being a peasant is increasingly difficult. To systematize the information gathered about the community, the practical theoretical orientations of Jara Holliday were used. It was found that there is an aesthetics of the rooting that has had a great development and significant achievements in the defense of the territory and the rights of the peasants, and that maintaining this resistance is increasingly difficult due to the challenges involved for young peasants to remain in the territories, because the modern world is always tempting them to leave the territory, to adopt other aesthetics and to have other perspectives and other dreams where the field does not figure as a project of life.As comunidades camponesas da área rural de Buga nas aldeias de El Placer, La Venta e San Agustín têm em comum que a maioria de seus primeiros habitantes vem de Boyacá e Santander. Para viver lá, eles tiveram que passar por um processo econômico, social e político, no qual eles conseguiram construir a fazenda camponesa tradicional no mundo moderno, com todos os desafios que isso implica. Eles tiveram que resistir à incursão paramilitar do Bloco Calima e às políticas neoliberais do Estado colombiano. Este trabalho tem como objetivo explorar como essa resistência foi forjada do ponto de vista da estética do enraizamento, conceito construído a partir da identidade camponesa, relacionamento com o meio entorno e com os outros, e as configurações estéticas da resistência em um mundo em que ser camponês é cada vez mais difícil. Para sistematizar a informação recolhida sobre a comunidade, utilizaram-se as orientações teóricas práticas de Jara Holliday. Verificou-se que existe uma estética do enraizamento que teve um grande desenvolvimento e conquistas significativas na defesa do território e dos direitos dos camponeses e que manter essa resistência é cada vez mais difícil devido aos desafios envolvidos para os jovens camponeses permanecerem em os territórios, porque o mundo moderno está sempre tentando-os a abandonar o território, a adotar outras estética e a ter outras perspectivas e outros sonhos onde o campo não figura como um projeto de vida. Las comunidades campesinas de la zona rural de Buga en las veredas El Placer, La Venta y San Agustín, tienen en común que la mayoría de sus primeros habitantes provienen de Boyacá y Santander. Para vivir allí han tenido que pasar por un proceso económico, social y político, en el que han logrado construir la tradicional finca campesina en el mundo moderno, con todos los desafíos que ello implica. Han tenido que resistir la incursión paramilitar del Bloque Calima y las políticas neoliberales del Estado Colombiano. Este trabajo pretende explorar cómo se ha forjado esa resistencia desde el punto de vista de la estética del arraigo, concepto que se construye a partir de la identidad campesina, la relación con el entorno y con los demás, y las configuraciones estéticas de la resistencia en un mundo donde ser campesino es cada vez más difícil. Para sistematizar la información recogida sobre la comunidad se utilizaron las orientaciones teórico prácticas de Jara Holliday. Se encontró que hay una estética del arraigo que ha tenido un gran desarrollo y logros significativos en la defensa del territorio y los derechos de los campesinos, y que mantener esta resistencia es cada vez más difícil por los retos que implica para los jóvenes campesinos permanecer en los territorios, pues el mundo moderno siempre los está tentando a salir del territorio, a adoptar otras estéticas y a tener otras perspectivas y otros sueños donde no figura el campo como proyecto de vida.2017text (article)application/pdfhttps://dialnet.unirioja.es/servlet/oaiart?codigo=7830125(Revista) ISSN 1794-7200Revista Criterio Libre Jurídico, ISSN 1794-7200, Vol. 14, Nº. 2, 2017 (Ejemplar dedicado a: Criterio Libre Jurídico Julio - Diciembre), pags. 107-113spaLICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI
|