Ruido, luz artificial y olor. Criminología verde y cultural aplicada al eco acústico-sensorial de los espacios urbanos
This article analyses distinct features of noise in urban spaces through the perspectives of green criminology and cultural criminology and highlights the sensory convergence between noise, odour, and artificial light. It contributes to the development of an emerging “visual, olfactory, sensory c...
Gorde:
| Egile Nagusiak: | , |
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| Formatua: | Artikulua |
| Hizkuntza: | Gaztelania |
| Argitaratua: |
2020
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| Gaiak: | |
| Sarrera elektronikoa: | https://dialnet.unirioja.es/servlet/oaiart?codigo=7932222 |
| Baliabidea: | Revista Española de Investigación Criminológica: REIC, ISSN 1696-9219, null 18, Nº. 1, 2020 |
| Etiketak: |
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| Laburpena: |
This article analyses distinct features of noise in urban spaces through the perspectives of
green criminology and cultural criminology and highlights the sensory convergence between
noise, odour, and artificial light. It contributes to the development of an emerging “visual,
olfactory, sensory criminology” and to the study of uses, and aesthetic meanings, of urban
and cultural life. Drawing on the idea of an ‘eco-city’, it proposes a pattern for urban life that
offers a more peaceful and less conflictual environmental lifestyle. To this end, we adopt
methods that have been provided by interpretive sociology, as elaborated within green
cultural criminology, and suggest practices of conflict resolution as alternative measures of
response to crime and the usual punishments. The study focuses on cities from the Spanish
and wider European context and includes several international archetypes. Working through
this itinerary leads us to emphasize the importance of designing a ‘criminological mapping’
of these phenomena combined with restorative justice methodology to establish connections
between sensory space and soundscape, and crime or environmental social damage. |
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