Os tribunais de Dürrenmatt
This essay presents the pessimistic and skeptical view of justice by the Swiss author and playwright Friedrich Dürrenmatt (1921-1990). The analysis is made based on common aspects identified in his masterpiece The Visit (1956), and in another less known play, A Dangerous Game (1956). Firstly, the pl...
Guardado en:
Autores principales: | , |
---|---|
Formato: | Artículo |
Idioma: | Portugués |
Publicado: |
2019
|
Materias: | |
Acceso en línea: | https://dialnet.unirioja.es/servlet/oaiart?codigo=7490747 |
Fuente: | Anamorphosis: Revista Internacional de Direito e Literatura, ISSN 2446-8088, null 5, Nº. 2, 2019 (Ejemplar dedicado a: julho-dezembro), pags. 357-373 |
Etiquetas: |
Añadir etiqueta
Sin etiquetas: Sea el primero en etiquetar este registro
|
id |
dialnet-ar-18-ART0001397527
|
---|---|
record_format |
dialnet
|
spelling |
dialnet-ar-18-ART00013975272020-07-10Os tribunais de DürrenmattMichel, Voltaire de FreitasDeitos, Marc AntoniLawLiteratureLaw and Literaturelegal imaginaryconceptions of justiceEuropean playwritingDireitoLiteraturaPoder JudiciárioTeatrodireito e literaturaimaginário jurídicoconcepções de justiçadramaturgia europeiaDireito e LiteraturaPoder JudiciárioThis essay presents the pessimistic and skeptical view of justice by the Swiss author and playwright Friedrich Dürrenmatt (1921-1990). The analysis is made based on common aspects identified in his masterpiece The Visit (1956), and in another less known play, A Dangerous Game (1956). Firstly, the plays’ plots are described, compared and contrasted. For a methodological approach, seven “points of inflection” were constructed between the texts, exploring: a) the role, in the plot, of the visits; b) whether Dürrenmatt describes justice as it is, or its deviations; c) the importance of the form of the courts for the characters; d) the justice of the accusations; e) the power of the characters; f) the humor of the plays; and, finally, g) the depiction of death. The conclusion is that despite differences in plot, Dürrenmatt’s plays are an important testament to his disheartening view of institutions.O ensaio apresenta a visão pessimista e cética do dramaturgo, escritor e roteirista suíço Friedrich Dürrenmatt (1921-1990) a respeito da justiça, com base na análise de aspectos comuns identificados na sua obra-prima, a peça de teatro A visita da velha senhora (1956), e em outra peça menos conhecida, A pane (1956). Após a descrição dos enredos das peças, passa-se a um exame de seus paralelismos e divergências. Para abordagem metodológica, foram construídos sete pontos de inflexão entre os textos, explorando: a) o papel, no enredo das visitas; b) se Dürrenmatt reporta-se à justiça como ela é, ou a desvios; c) a importância da forma dos tribunais para os personagens; d) a justiça das acusações; e) a potência dos personagens; f) a comicidade das peças; e, finalmente, g) a morte. A conclusão é que, apesar das diferenças de enredos, as peças teatrais de Dürrenmatt são um testemunho importante de sua visão desalentadora das instituições.2019text (article)application/pdfhttps://dialnet.unirioja.es/servlet/oaiart?codigo=7490747(Revista) ISSN 2446-8088Anamorphosis: Revista Internacional de Direito e Literatura, ISSN 2446-8088, null 5, Nº. 2, 2019 (Ejemplar dedicado a: julho-dezembro), pags. 357-373porLICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI
|
institution |
Dialnet
|
collection |
Dialnet AR
|
source |
Anamorphosis: Revista Internacional de Direito e Literatura, ISSN 2446-8088, null 5, Nº. 2, 2019 (Ejemplar dedicado a: julho-dezembro), pags. 357-373
|
language |
Portuguese
|
topic |
Law
Literature Law and Literature legal imaginary conceptions of justice European playwriting Direito Literatura Poder Judiciário Teatro direito e literatura imaginário jurídico concepções de justiça dramaturgia europeia Direito e Literatura Poder Judiciário |
spellingShingle |
Law
Literature Law and Literature legal imaginary conceptions of justice European playwriting Direito Literatura Poder Judiciário Teatro direito e literatura imaginário jurídico concepções de justiça dramaturgia europeia Direito e Literatura Poder Judiciário Michel, Voltaire de Freitas Deitos, Marc Antoni Os tribunais de Dürrenmatt |
description |
This essay presents the pessimistic and skeptical view of justice by the Swiss author and playwright Friedrich Dürrenmatt (1921-1990). The analysis is made based on common aspects identified in his masterpiece The Visit (1956), and in another less known play, A Dangerous Game (1956). Firstly, the plays’ plots are described, compared and contrasted. For a methodological approach, seven “points of inflection” were constructed between the texts, exploring: a) the role, in the plot, of the visits; b) whether Dürrenmatt describes justice as it is, or its deviations; c) the importance of the form of the courts for the characters; d) the justice of the accusations; e) the power of the characters; f) the humor of the plays; and, finally, g) the depiction of death. The conclusion is that despite differences in plot, Dürrenmatt’s plays are an important testament to his disheartening view of institutions.
|
format |
Article
|
author |
Michel, Voltaire de Freitas
Deitos, Marc Antoni |
author_facet |
Michel, Voltaire de Freitas
Deitos, Marc Antoni |
author_sort |
Michel, Voltaire de Freitas
|
title |
Os tribunais de Dürrenmatt
|
title_short |
Os tribunais de Dürrenmatt
|
title_full |
Os tribunais de Dürrenmatt
|
title_fullStr |
Os tribunais de Dürrenmatt
|
title_full_unstemmed |
Os tribunais de Dürrenmatt
|
title_sort |
os tribunais de dürrenmatt
|
publishDate |
2019
|
url |
https://dialnet.unirioja.es/servlet/oaiart?codigo=7490747
|
_version_ |
1709752686339948544
|