Tráfico en las fronteras: aproximaciones a la relación entre el hacer artístico y la práctica jurídica
This work aims to identify and provoke some intersections between artistic and juridical practices. So, we ask ourselves: what relevance can contemporary art have to the world of law? or, put another way, what things of art can be useful to understand the Law philosophically. In our hypothesis, thes...
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| Format: | Article |
| Language: | Spanish |
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2019
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| Online Access: | https://dialnet.unirioja.es/servlet/oaiart?codigo=6893598 |
| Source: | Revista Derecho del Estado, ISSN 0122-9893, Nº. 43, 2019 (Ejemplar dedicado a: Mayo-Agosto), pags. 373-389 |
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| Summary: |
This work aims to identify and provoke some intersections between artistic and juridical practices. So, we ask ourselves: what relevance can contemporary art have to the world of law? or, put another way, what things of art can be useful to understand the Law philosophically. In our hypothesis, these questions are related to the limits of legal and artistic territories, where we were able to identify two problematic aspects. On the one hand, the difficulties in interpreting and applying the rules of the current legal order to a constantly changing artistic practice (sociological and normative dimensions). On the other hand, we understand that these practices interpellate certain key criteria of interrelation, confronting them with more sensitive ways of conceiving intersubjective encounters. At this point, we consider the relationship between law and art refers to justice, ie the axiological dimension of law. For the development of this research, we use the methodology of theory trialist of law, where a complex and inclusive reflection is carried out on the legal phenomenon (socio-normo-evaluative), which allows us to cross with heterogeneous languages as artistic purposes. |
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