O direito pelos olhares de Palomar

In this article the concerns about the legal universe and the need for a greater approximation with Literature are focused. In order to do so, the first assumption is that Law is a form of human language and creation and that, to better understand it, there must be an interface with fiction. The pap...

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Gorde:
Xehetasun bibliografikoak
Egile Nagusiak: Brettas Duarte, Isabel Cristina, Maders, Angelita Maria
Formatua: Artikulua
Hizkuntza:Portugalera
Argitaratua: 2017
Gaiak:
Law
law
Sarrera elektronikoa:https://dialnet.unirioja.es/servlet/oaiart?codigo=6255932
Baliabidea:Anamorphosis: Revista Internacional de Direito e Literatura, ISSN 2446-8088, null 3, Nº. 2, 2017, pags. 489-518
Etiketak: Etiketa erantsi
Etiketarik gabe: Izan zaitez lehena erregistro honi etiketa jartzen
id
dialnet-ar-18-ART0001244955
record_format
dialnet
institution
Dialnet
collection
Dialnet AR
source
Anamorphosis: Revista Internacional de Direito e Literatura, ISSN 2446-8088, null 3, Nº. 2, 2017, pags. 489-518
language
Portuguese
topic
Law
Literature
law
literature
poetic theory of law
Palomar
Direito
Literatura
direito
literatura
teoria poética do direito
Palomar
Teoria Poética do Direito
spellingShingle
Law
Literature
law
literature
poetic theory of law
Palomar
Direito
Literatura
direito
literatura
teoria poética do direito
Palomar
Teoria Poética do Direito
Brettas Duarte, Isabel Cristina
Maders, Angelita Maria
O direito pelos olhares de Palomar
description
In this article the concerns about the legal universe and the need for a greater approximation with Literature are focused. In order to do so, the first assumption is that Law is a form of human language and creation and that, to better understand it, there must be an interface with fiction. The paper begins with an incursion into the novel Palomar, by Italo Calvino, more specifically with the third part of the work, “The silence of Palomar” and “The voyages of Palomar”. It then ventures into the Poetic Theory of Law, for which is used as a backdrop the book The Poetic Theory of Law by Willis Santiago Guerra Filho. The main objective of this study is to analyze the application of this theory in Palomar, seeking to contemplate the different lenses with which one can exercise the activity of looking, perceiving, positioning oneself at different angles to seek the vision of the whole – although understanding the impossibility of its total apprehension, especially in the juridical field –, in a perspective of transforming the paradigm from the philosophy of conscience to the philosophy of language. The research carried out, in relation to the objective, is dialectical; and the method used, phenomenological-hermeneutic, through a deductive and bibliographic approach.
format
Article
author
Brettas Duarte, Isabel Cristina
Maders, Angelita Maria
author_facet
Brettas Duarte, Isabel Cristina
Maders, Angelita Maria
author_sort
Brettas Duarte, Isabel Cristina
title
O direito pelos olhares de Palomar
title_short
O direito pelos olhares de Palomar
title_full
O direito pelos olhares de Palomar
title_fullStr
O direito pelos olhares de Palomar
title_full_unstemmed
O direito pelos olhares de Palomar
title_sort
o direito pelos olhares de palomar
publishDate
2017
url
https://dialnet.unirioja.es/servlet/oaiart?codigo=6255932
_version_
1709746679596449792
spelling
dialnet-ar-18-ART00012449552018-01-24O direito pelos olhares de PalomarBrettas Duarte, Isabel CristinaMaders, Angelita MariaLawLiteraturelawliteraturepoetic theory of lawPalomarDireitoLiteraturadireitoliteraturateoria poética do direitoPalomarTeoria Poética do DireitoIn this article the concerns about the legal universe and the need for a greater approximation with Literature are focused. In order to do so, the first assumption is that Law is a form of human language and creation and that, to better understand it, there must be an interface with fiction. The paper begins with an incursion into the novel Palomar, by Italo Calvino, more specifically with the third part of the work, “The silence of Palomar” and “The voyages of Palomar”. It then ventures into the Poetic Theory of Law, for which is used as a backdrop the book The Poetic Theory of Law by Willis Santiago Guerra Filho. The main objective of this study is to analyze the application of this theory in Palomar, seeking to contemplate the different lenses with which one can exercise the activity of looking, perceiving, positioning oneself at different angles to seek the vision of the whole – although understanding the impossibility of its total apprehension, especially in the juridical field –, in a perspective of transforming the paradigm from the philosophy of conscience to the philosophy of language. The research carried out, in relation to the objective, is dialectical; and the method used, phenomenological-hermeneutic, through a deductive and bibliographic approach.Neste artigo são trazidas algumas inquietações acerca do universo jurídico e da necessidade de sua maior aproximação com a Literatura. Para isso, parte do pressuposto de que o Direito é linguagem e criação humana e que, para melhor compreendê-lo, deve haver uma interface com a ficção. Inicia com uma incursão sobre o livro Palomar, de Ítalo Calvino, mais especificamente com a terceira parte da obra, “O silêncio de Palomar” e “As viagens de Palomar”, para depois, aventurar-se na Teoria Poética do Direito, para o que se utiliza como pano de fundo o livro A teoria poética do direito de Willis Santiago Guerra Filho. Tem como objetivo principal analisar a aplicação da referida teoria em Palomar, buscando contemplar as diferentes lentes com que se pode exercer a atividade do olhar, do perceber, do posicionar-se em diferentes ângulos para buscar a visão do todo – embora a compreensão da impossibilidade de sua apreensão, especialmente na seara jurídica –, numa perspectiva de transformação do paradigma da filosofia da consciência para o da filosofia da linguagem. A pesquisa realizada, em relação ao objetivo, é dialética; e quanto ao método utilizado, fenomenológico-hermenêutico, por meio de uma abordagem dedutiva e bibliográfica.2017text (article)application/pdfhttps://dialnet.unirioja.es/servlet/oaiart?codigo=6255932(Revista) ISSN 2446-8088Anamorphosis: Revista Internacional de Direito e Literatura, ISSN 2446-8088, null 3, Nº. 2, 2017, pags. 489-518porLICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI