Somos todos rematados canalhas: notas sobre vingança e justiça em Shakespeare
Shakespeare treatment of the revenge theme adds substantial complexity to a genre greatly appreciated by Elizabethans. In Hamlet and Macbeth, for example, characters are troubled not only by the usual tension between Christian and honor ethics which were recurrent in such plays. They are disturbed b...
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2015
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| Source: | Anamorphosis: Revista Internacional de Direito e Literatura, ISSN 2446-8088, null 1, Nº. 1, 2015 (Ejemplar dedicado a: janeiro-junho), pags. 85-98 |
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dialnet-ar-18-ART00010872512017-01-12Somos todos rematados canalhas: notas sobre vingança e justiça em ShakespeareGhirardi, Pedro GarcezLawLiteratureShakespearerevenge playsLutherHamletMacbethDireitoLiteraturaShakespearerevenge playsLuteroHamletMacbethShakespeare treatment of the revenge theme adds substantial complexity to a genre greatly appreciated by Elizabethans. In Hamlet and Macbeth, for example, characters are troubled not only by the usual tension between Christian and honor ethics which were recurrent in such plays. They are disturbed by a feeling that the social system which gives sense to this tension is itself crumbling, making both action and inaction meaningless. Hamlet´s soul-searching and Malcolm’s discourse to Macduff echo a key Reform theological which posited the quintessential corruption of human nature. This paper discusses the dramatic implications of this new, controversial theological concept, on Shakespeare’s presentation of revenge.O tratamento que Shakespeare dá ao tema da vingança agrega enorme complexidade a esse gênero tão apreciado pelos elisabetanos. Em Hamlet e em Macbeth, por exemplo, os personagens não devem se confrontar apenas com a tensão tradicional entre ética cristã e ética da honra, que era habitual nesse tipo de peça. Eles se sentem oprimidos por um sentimento de que é próprio sistema social que dá sentido a essa tensão que está ruindo, o que torna ação e inação igualmente sem sentido. A melancolia de Hamlet e o discurso de Malcolm dialogam com um conceito teológico central para a Reforma, a saber, a noção de que a natureza humana era irremediavelmente corrupta. Este artigo discute as implicações dramáticas desse conceito teológico, novo e controverso para a época, sobre a apresentação que Shakespeare faz da vingança.2015text (article)application/pdfhttps://dialnet.unirioja.es/servlet/oaiart?codigo=5771544(Revista) ISSN 2446-8088Anamorphosis: Revista Internacional de Direito e Literatura, ISSN 2446-8088, null 1, Nº. 1, 2015 (Ejemplar dedicado a: janeiro-junho), pags. 85-98porLICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI
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Anamorphosis: Revista Internacional de Direito e Literatura, ISSN 2446-8088, null 1, Nº. 1, 2015 (Ejemplar dedicado a: janeiro-junho), pags. 85-98
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Law
Literature Shakespeare revenge plays Luther Hamlet Macbeth Direito Literatura Shakespeare revenge plays Lutero Hamlet Macbeth |
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Law
Literature Shakespeare revenge plays Luther Hamlet Macbeth Direito Literatura Shakespeare revenge plays Lutero Hamlet Macbeth Ghirardi, Pedro Garcez Somos todos rematados canalhas: notas sobre vingança e justiça em Shakespeare |
| description |
Shakespeare treatment of the revenge theme adds substantial complexity to a genre greatly appreciated by Elizabethans. In Hamlet and Macbeth, for example, characters are troubled not only by the usual tension between Christian and honor ethics which were recurrent in such plays. They are disturbed by a feeling that the social system which gives sense to this tension is itself crumbling, making both action and inaction meaningless. Hamlet´s soul-searching and Malcolm’s discourse to Macduff echo a key Reform theological which posited the quintessential corruption of human nature. This paper discusses the dramatic implications of this new, controversial theological concept, on Shakespeare’s presentation of revenge.
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| format |
Article
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| author |
Ghirardi, Pedro Garcez
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| author_facet |
Ghirardi, Pedro Garcez
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| author_sort |
Ghirardi, Pedro Garcez
|
| title |
Somos todos rematados canalhas: notas sobre vingança e justiça em Shakespeare
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| title_short |
Somos todos rematados canalhas: notas sobre vingança e justiça em Shakespeare
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| title_full |
Somos todos rematados canalhas: notas sobre vingança e justiça em Shakespeare
|
| title_fullStr |
Somos todos rematados canalhas: notas sobre vingança e justiça em Shakespeare
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| title_full_unstemmed |
Somos todos rematados canalhas: notas sobre vingança e justiça em Shakespeare
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| title_sort |
somos todos rematados canalhas: notas sobre vingança e justiça em shakespeare
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| publishDate |
2015
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| url |
https://dialnet.unirioja.es/servlet/oaiart?codigo=5771544
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| _version_ |
1709745002998923264
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