El manantial de las víctimas. Una lectura desde la Victimología de «El manantial de la doncella» (Jungfrukällan, 1960) de Ingmar Bergman.
The main aim of this paper is to provide a reading guide from a victimological point of view for the film «The Virgin Spring» (Jungfrukällan, 1960) directed by Ingmar Bergman. We analyze first the characteristics of the work that make of it an excellent tool for the victimology lectures. Secondly, a...
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| Format: | Article |
| Language: | Spanish |
| Published: |
2014
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| Online Access: | https://dialnet.unirioja.es/servlet/oaiart?codigo=5215923 |
| Source: | Revista electrónica del Departamento de Derecho de la Universidad de La Rioja, REDUR, ISSN 1695-078X, Nº. 12 (diciembre 2014), 2014, pags. 27-65 |
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| Summary: |
The main aim of this paper is to provide a reading guide from a victimological point of
view for the film «The Virgin Spring» (Jungfrukällan, 1960) directed by Ingmar Bergman. We
analyze first the characteristics of the work that make of it an excellent tool for the victimology
lectures. Secondly, a critical overview of the emergence of Victimology as a scientific discipline and the process of rediscovery of victim in criminal law and criminal justice by examining some of its paradoxes and contradictions is performed. Finally we face a concrete analysis of some issues present or suggested by the film connecting them with three key human emotions: compassion, desire for revenge and sense of loss. |
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