Aproximación a la historia del derecho de autor: antecedentes normativos
The legal protection of literary and artistic works has been institutionalized since the advent of the printing press. Prior to the copyright system we know today, there was a model of administrative privileges, which was set in the public law; so therefore it turned into an institution called liter...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | Spanish |
| Published: |
Universidad Externado de Colombia
2009
|
| Subjects: | |
| Online Access: | https://dialnet.unirioja.es/servlet/oaiart?codigo=3135161 |
| Source: | Revista la propiedad inmaterial, ISSN 1657-1959, Nº. 13, 2009, pags. 59-104 |
| Tags: |
Add Tag
No Tags: Be the first to tag this record
|
| Summary: |
The legal protection of literary and artistic works has been institutionalized since
the advent of the printing press. Prior to the copyright system we know today,
there was a model of administrative privileges, which was set in the public law;
so therefore it turned into an institution called literary property, which is in the
private law. This study goes over of the legal protection developments that intellectual
works have had, considering an important variety of conditions, regarding
factors of spread, changing and understanding of the law notion. Above all we
study the European models, to display its subsequent move toward America in
the post independence period, with emphasis on the Latin American reception in
the first half of the Nineteenth Century, with a different schemes accord to the
philosophical and politics projects of the new American republics. Highlighting the
participation of the Colombian José María Torres Caicedo in the formation of
the Berne Convention, and the English tradition of privileges placed in Colombia,
similar to the Statute of the Queen Anne in the 1710th, which remained until the
late Nineteenth Century. |
|---|