La expresión de miedos sociales a través del villano en el cine postclásico: un análisis del texto narrativo
The villain as a essential figure in contemporary cinema is the main object of analysis in this article, using for this purpose the study of film narrative, with the russian literary critic of narrative in the folktales Vladimir Propp as a base, and some cases from contemporary cinema as the highly...
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| Format: | Article |
| Language: | Spanish |
| Published: |
Asociación Veritas para el Estudio de la Historia, el Derecho y de las Instituciones
2013
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| Online Access: | http://dialnet.unirioja.es/servlet/oaiart?codigo=4398871 |
| Source: | Revista Aequitas: Estudios sobre historia, derecho e instituciones, ISSN 2174-9493, Nº. 3, 2013, pags. 329-344 |
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| Summary: |
The villain as a essential figure in contemporary
cinema is the main object of analysis in this article, using for this
purpose the study of film narrative, with the russian literary critic of
narrative in the folktales Vladimir Propp as a base, and some cases
from contemporary cinema as the highly valued film Oldboy by Park
Chan-Wook. |
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